2005 | Color | 4 min As a mural unfolds before of our eyes, we hear the sounds of construction work going on far off in the distance. The mural depicts a Mediterranean landscape: a cactus, a cypress, and an olive tree. The camera sweeps over the fresco, then freezes. Heaps of fallen rocks keep getting in the way, though we haven?t really noticed them. We suddenly discover the cause of these fallen rocks: an olive tree has broken through a wall. This is the wall that separates Israel and Palestine Country: Francia Direction: Mareschal; Laurent Script: Marescha; Laurent Photography: Notsani; Tami, Pernot; Laurent, Marescha; Laurent Participation year at FICM: 2007
2005 | Color | 4 min As a mural unfolds before of our eyes, we hear the sounds of construction work going on far off in the distance. The mural depicts a Mediterranean landscape: a cactus, a cypress, and an olive tree. The camera sweeps over the fresco, then freezes. Heaps of fallen rocks keep getting in the way, though we haven?t really noticed them. We suddenly discover the cause of these fallen rocks: an olive tree has broken through a wall. This is the wall that separates Israel and Palestine Country: Francia Direction: Mareschal; Laurent Script: Marescha; Laurent Photography: Notsani; Tami, Pernot; Laurent, Marescha; Laurent Participation year at FICM: 2007
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
