2006 | Color | 54 min Beautiful women with deep-set eyes, dashing men, brilliant comedians, directors, and music became a part of of mexican cinema when the descendants of the first Lebanese immigrants took an active part in mexican culture. It is impossible to speak of Mexican cinema without mentioning the director Miguel Zacarías or the producer Antonio Matouk. We easily recognize the faces of Mauricio Garcés, Antonio Badú, Capulina, Esperanza Issa, with a repertoire as varied as their capacity to take on different genres and share unforgettable moments on the scree Country: México Direction: Martínez Assad; Carlos Production: De La Una; Filmoteca
2006 | Color | 54 min Beautiful women with deep-set eyes, dashing men, brilliant comedians, directors, and music became a part of of mexican cinema when the descendants of the first Lebanese immigrants took an active part in mexican culture. It is impossible to speak of Mexican cinema without mentioning the director Miguel Zacarías or the producer Antonio Matouk. We easily recognize the faces of Mauricio Garcés, Antonio Badú, Capulina, Esperanza Issa, with a repertoire as varied as their capacity to take on different genres and share unforgettable moments on the scree Country: México Direction: Martínez Assad; Carlos Production: De La Una; Filmoteca
Naza Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza. See More
5 de chocolate y 1 de fresa Esperanza is a young novice living in a quiet convent full of old nuns. After eating some “special” mushrooms, innocent Esperanza becomes modern and psychedelic Brenda: a subversive girl who raids a high-society party, sings subversive songs and charms young fellows. See More
The Buzz During a live national television interview, Verónica, a famous and widely admired actress, struggles to uphold the image of a perfect life as her inner world fractures under the weight of private abuse. Trapped between silence, fear, and a sudden panic attack, she must decide whether to continue performing the illusion—or break the cycle in front of everyone. See More
Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26 LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
