1977 | Color | 110 min Lecumberri is an ambiguous work, not only visually (inmates playing ball in impeccable white uniforms or the festive Sunday visit with barbeque, mechanical games, and live music), but also in its position as a documentary. If the portryal of the Mexican prison system hardly strays from José Revueltas and Felipe Cazals musical and visual depiction in El apando (1976), Ripstein´s vision of the "Black Palace" focuses on victims and victimizers alike, the latter themselves victimized by wardens, judges, and a system as imprisoned as the inmates themselves. In Lecumberri all social strata coexist, brought together by shared entrapment. Country: México Direction: Ripstein; Arturo Script: Suza; Margarita, Ripstein; Arturo, Pacheco; José Emiliano, Pérez Turrent; Tomás, Necoechea; Miguel Photography: Kamat; Tomomi Cast:Ebergenyi; Emilio, Pérez Turrent; Tomás
1977 | Color | 110 min Lecumberri is an ambiguous work, not only visually (inmates playing ball in impeccable white uniforms or the festive Sunday visit with barbeque, mechanical games, and live music), but also in its position as a documentary. If the portryal of the Mexican prison system hardly strays from José Revueltas and Felipe Cazals musical and visual depiction in El apando (1976), Ripstein´s vision of the "Black Palace" focuses on victims and victimizers alike, the latter themselves victimized by wardens, judges, and a system as imprisoned as the inmates themselves. In Lecumberri all social strata coexist, brought together by shared entrapment. Country: México Direction: Ripstein; Arturo Script: Suza; Margarita, Ripstein; Arturo, Pacheco; José Emiliano, Pérez Turrent; Tomás, Necoechea; Miguel Photography: Kamat; Tomomi Cast:Ebergenyi; Emilio, Pérez Turrent; Tomás
Profundo carmesí Mexico, 1949. Coral Fabre, a nurse for terminally ill patients who struggles to support her two children, dreams of the popular French actor Charles Boyer. In the love advice section of a magazine she reads, she finds an ad from one Nicolás Estrella, who boasts about his resemblance to Boyer and presents himself as a Spanish gentleman seeking a romantic relationship. Coral decides to write to him... See More
The Cause An interview with Chicano leader César Chávez, leader of the United Farm Workers labor union, who discusses the problems facing the Mexican population in certain states of the US. This is the struggle of a movement confronting social and economic pressure as it seeks to protect its own culture and identity from being uprooted. See More
El diablo entre las piernas Bored, “El Viejo” wanders the house, spying on his wife Beatriz. The fighting takes a toll and the balance is disturbed: Beatriz, knowing she’s under scrutiny, feels both desired and desirable. But she wants proof. One night she leaves home on an aimless walk with a single purpose: sex. Her return unleashes catastrophy. Dinorah, the maid, refuses to allow this audacity and takes a side. See More
LA VIRGEN DE LA TOSQUERA Enchanted Audiences at the 23rd FICM 10 · 15 · 25 “Where and Who We Are Changes as Life Shapes Us With Blows and God Dictates the Form”: Guillermo del Toro's Message Ahead of FRANKENSTEIN'S Premiere at the 23rd FICM 10 · 15 · 25 PARA VIVIR: EL IMPLACABLE TIEMPO DE PABLO MILANÉS at the 23rd FICM 10 · 15 · 25 Alexandra Hedison Presented ALOK, a Short Film That Goes Beyond the Binary, at the 23rd FICM 10 · 15 · 25
“Where and Who We Are Changes as Life Shapes Us With Blows and God Dictates the Form”: Guillermo del Toro's Message Ahead of FRANKENSTEIN'S Premiere at the 23rd FICM 10 · 15 · 25
Alexandra Hedison Presented ALOK, a Short Film That Goes Beyond the Binary, at the 23rd FICM 10 · 15 · 25
