2009 | Color | 1h 25 min Singer Eugenia León gives her own interpretation of Mexican cinema in her album Cine, a musical review from Santa composed by Agustín Lara for his first musical to a theme from the recent film Espiral. Her exceptional voice and the collaboration of groups and soloists offer a new version of classical and contemporary songs. Country: México Direction: Hernández; Julián, Fiesco; Roberto Production: Martínez Arévalo; Ernesto, Espinosa; Hugo Photography: Guerrero; Mario Sound: Juárez Espino; Omar, Narváez del Valle; Armando Cast:Latinoamericano; Cuarteto, Tambuco; Tambuco, Franco; Horacio, Nery; Enrique, Anacrúsax; Anacrúsax, Tierra Mestiza; Ensamble, Anaya; Ernesto, Romeu; Gonzalo, Cozátl; Jorge, León; Eugenia, de La Mora; Fernando Participation year at FICM: 2009
2009 | Color | 1h 25 min Singer Eugenia León gives her own interpretation of Mexican cinema in her album Cine, a musical review from Santa composed by Agustín Lara for his first musical to a theme from the recent film Espiral. Her exceptional voice and the collaboration of groups and soloists offer a new version of classical and contemporary songs. Country: México Direction: Hernández; Julián, Fiesco; Roberto Production: Martínez Arévalo; Ernesto, Espinosa; Hugo Photography: Guerrero; Mario Sound: Juárez Espino; Omar, Narváez del Valle; Armando Cast:Latinoamericano; Cuarteto, Tambuco; Tambuco, Franco; Horacio, Nery; Enrique, Anacrúsax; Anacrúsax, Tierra Mestiza; Ensamble, Anaya; Ernesto, Romeu; Gonzalo, Cozátl; Jorge, León; Eugenia, de La Mora; Fernando Participation year at FICM: 2009
La huella de unos labios Román, a B-movie actor, is isolated in his apartment as a pandemic keeps the world on edge. Aldo, a young indigenous man, is an essential worker authorized to come and go. The two men live across from each other in an apartment complex. Meeting online, they are able to talk and even see each other in video calls, but not in person. Eventually, they find themselves tempted to break out of lockdown. See More
Two Amongst Many A pandemic has separated Esteban and Alan. Esteban spends his days staring out at the nearby buildings from the rooftop where he lives, learning how to play the guitar, and staying connected to Alan through video calls—but there’s no end in sight to the isolation, and reality eventually catches up with them. See More
The Day Began Yesterday Orlando and Saúl meet by chance. Self-confident young Orlando is a college gymnast who refuses to let his HIV-positive status define him; insecure Saúl barely grasps what it means to have an active sex life. For both, their accidental encounter will result in a new way of seeing the world. See More
Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
