2009 | Color | 1h 25 min Singer Eugenia León gives her own interpretation of Mexican cinema in her album Cine, a musical review from Santa composed by Agustín Lara for his first musical to a theme from the recent film Espiral. Her exceptional voice and the collaboration of groups and soloists offer a new version of classical and contemporary songs. Country: México Direction: Hernández; Julián, Fiesco; Roberto Script: Production: Martínez Arévalo; Ernesto, Espinosa; Hugo Photography: Guerrero; Mario Sound: Juárez Espino; Omar, Narváez del Valle; Armando Music: Cast:Latinoamericano; Cuarteto, Tambuco; Tambuco, Franco; Horacio, Nery; Enrique, Anacrúsax; Anacrúsax, Tierra Mestiza; Ensamble, Anaya; Ernesto, Romeu; Gonzalo, Cozátl; Jorge, León; Eugenia, de La Mora; Fernando Art direction: Participation year at FICM: 2009
2009 | Color | 1h 25 min Singer Eugenia León gives her own interpretation of Mexican cinema in her album Cine, a musical review from Santa composed by Agustín Lara for his first musical to a theme from the recent film Espiral. Her exceptional voice and the collaboration of groups and soloists offer a new version of classical and contemporary songs. Country: México Direction: Hernández; Julián, Fiesco; Roberto Script: Production: Martínez Arévalo; Ernesto, Espinosa; Hugo Photography: Guerrero; Mario Sound: Juárez Espino; Omar, Narváez del Valle; Armando Music: Cast:Latinoamericano; Cuarteto, Tambuco; Tambuco, Franco; Horacio, Nery; Enrique, Anacrúsax; Anacrúsax, Tierra Mestiza; Ensamble, Anaya; Ernesto, Romeu; Gonzalo, Cozátl; Jorge, León; Eugenia, de La Mora; Fernando Art direction: Participation year at FICM: 2009
The Day Began Yesterday Orlando and Saúl meet by chance. Self-confident young Orlando is a college gymnast who refuses to let his HIV-positive status define him; insecure Saúl barely grasps what it means to have an active sex life. For both, their accidental encounter will result in a new way of seeing the world. See More
Asphalt Goddess Max returns to her neighborhood as the lead singer in a rock band. Back home, she is received by memories, news, and truths that had remained silent for years. The reasons for abandonment are clear; deaths and un-kept promises are repeated. Max returns to die—but not before she tries to understand and give meaning to all her unfinished business. See More
Tattoo of Revenge In 1990s Mexico City—a chaotic universe of extremes, where criminals go unpunished and policemen are as lawless as criminals—a heroine becomes the avenger of raped young women. Wearing different disguises, she seduces the rapists, narcotizes them and then brands them with tattoos. Her powerful enemies prepare an ambush to uncover her true identity. Her only salvation is the emancipation of another woman. See More
Daniela Michel received the National Order of Merit of the French Republic 06 · 03 · 22 Muchachas de uniforme: la primera gran cinta de diversidad sexual 02 · 14 · 22 El FICM lamenta el fallecimiento de Ivan Reitman 02 · 14 · 22 Niña sola: la raíz invisible de las violencias machistas 02 · 11 · 22
