2022 | B/N | 86:00 Eliú, a country boy, finds himself in an experimental juvenile detention center in the heart of the Colombian tropical forest, incarcerated for a crime he committed with his friend El Mono. Every day, the teenage inmates undergo strenuous manual labor and intense group therapy. One day, El Mono is transferred to the same facility, bringing in a past that Eliú is trying to escape Country: Colombia, Francia Direction: Ramírez Pulido; Andrés Script: Ramírez Pulido; Andrés Production: Brat; Jean-Etienne, Chicoteau; Lou, Ramírez Pulido; Andrés, Carillon;Thomas Photography: Balthazar Lab Sound: Vélez; Néstor, Berriet; Claire, Chelfi; Laura, Praud; Victor Music: Desprats; Pierre Cast:Jimenez; Jhojan Estiven, Jimenez; Maicol Andrés, Viera; Miguel, Rincon; Diego, Blanco; Carlos Steven, Parra; Ricardo Alberto, Soto; Marleyda, Barreto; Jhoani, Vasquez; Wismer Participation year at FICM: 2022
2022 | B/N | 86:00 Eliú, a country boy, finds himself in an experimental juvenile detention center in the heart of the Colombian tropical forest, incarcerated for a crime he committed with his friend El Mono. Every day, the teenage inmates undergo strenuous manual labor and intense group therapy. One day, El Mono is transferred to the same facility, bringing in a past that Eliú is trying to escape Country: Colombia, Francia Direction: Ramírez Pulido; Andrés Script: Ramírez Pulido; Andrés Production: Brat; Jean-Etienne, Chicoteau; Lou, Ramírez Pulido; Andrés, Carillon;Thomas Photography: Balthazar Lab Sound: Vélez; Néstor, Berriet; Claire, Chelfi; Laura, Praud; Victor Music: Desprats; Pierre Cast:Jimenez; Jhojan Estiven, Jimenez; Maicol Andrés, Viera; Miguel, Rincon; Diego, Blanco; Carlos Steven, Parra; Ricardo Alberto, Soto; Marleyda, Barreto; Jhoani, Vasquez; Wismer Participation year at FICM: 2022
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
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El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
