2021 | Color | 18:18 The Fugue accompanies the internal journey of eight men, who throughout a theater workshop go through the different prisons they inhabit. Practicing the art of looking at ourselves, in Boal's words, this group of men reflects on their masculinity as a representation to hide their true strength: their vulnerability. Country: México Direction: Lapuerta Laorden; Kani Script: Lapuerta Laorden; Kani Production: Pineda; Suleica Photography: Ibaven; Michelle Sound: Aguilar Límenes; Nicolás Participation year at FICM: 2021
2021 | Color | 18:18 The Fugue accompanies the internal journey of eight men, who throughout a theater workshop go through the different prisons they inhabit. Practicing the art of looking at ourselves, in Boal's words, this group of men reflects on their masculinity as a representation to hide their true strength: their vulnerability. Country: México Direction: Lapuerta Laorden; Kani Script: Lapuerta Laorden; Kani Production: Pineda; Suleica Photography: Ibaven; Michelle Sound: Aguilar Límenes; Nicolás Participation year at FICM: 2021
Niñxs In the magical town of Tepoztlán, Mexico, fifteen-year-old Karla intimately, and unabashedly, guides audiences in her journey for self-discovery, as she navigates the joys and uncertainties of adolescence, alongside society's gender prejudices. Through Karla's exploration of her transgender identity, the film presents an empowering, yet sweet coming-of-age story about self-expression, resilience, and the complexities of growing up. See More
“I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Filmmaking without fear: Robin Campillo and the legacy of Laurent Cantet at ENZO 02 · 20 · 26 Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
