2012 | Color | 83 min 0 seg The documentary follows the director as he searches for a house on the Basque coastline where avant-garde photographer Man Ray lived and shot his film Emak Bakia in 1926. Alegria's aim is not so much to "document" but to "explore" and so he traces (Super) Man Ray's footprints as though he were a film diver, delving deep into the depths -what we can't see on the surface- bringing us something that is far away but completely new. Country: España Direction: Alegría; Oskar Script: Alegria; Oskar Production: Alegria; Oskar Photography: Alegria; Oskar Sound: Hernández; Abel Music: Ordorika; Ruper, Hernández Mursego Emak Bakia; Abel, Griffith; Richard Participation year at FICM: 2012
2012 | Color | 83 min 0 seg The documentary follows the director as he searches for a house on the Basque coastline where avant-garde photographer Man Ray lived and shot his film Emak Bakia in 1926. Alegria's aim is not so much to "document" but to "explore" and so he traces (Super) Man Ray's footprints as though he were a film diver, delving deep into the depths -what we can't see on the surface- bringing us something that is far away but completely new. Country: España Direction: Alegría; Oskar Script: Alegria; Oskar Production: Alegria; Oskar Photography: Alegria; Oskar Sound: Hernández; Abel Music: Ordorika; Ruper, Hernández Mursego Emak Bakia; Abel, Griffith; Richard Participation year at FICM: 2012
Zinzindurrunkarratz Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way. See More
Zumiriki The story of a shipwreck survivor in a remote region of the Pyrenees who tries to forge a relationship both with nature and with his own childhood. See More
The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26 LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26 FICM and the Curacao Film Festival Reaffirm Their Alliance to Promote Cinema With a Showcase of Caribbean Short Films 10 · 23 · 26
LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
FICM and the Curacao Film Festival Reaffirm Their Alliance to Promote Cinema With a Showcase of Caribbean Short Films 10 · 23 · 26
