2003 | Color | 110 min A feisty Australian geologist (Sandy) lands the task of showing a Japanese businessman (Hiromitsu) around the mines and deserts of the Pilbara, with a view to selling his company the geology software she has been developing. Hiromitsu meanwhile mistakes her as his driver and demands they trek to the desert, unaware of the dangers. Against the background of this landscape, these two strangers journey further and further into the West Australian desert, leaving more and more of what they know about each other and themselves behind Country: México Direction: Brooks; Sue Script: Tilso; Alison Production: Masli; Sue Photography: Bake; Ian Sound: Grace; Peter Music: Drake; Elizabeth Cast:Collette; Toni, Tsunashima; Gotaro, Dyktynski; Matthew, Curran; Lynette, Tanaka; Yumiko, Atkinson; Kate, Howard; John, Young; Bill, Evans; Reg, Clarkegeorge Shevtsov; Justine Participation year at FICM: 2004
2003 | Color | 110 min A feisty Australian geologist (Sandy) lands the task of showing a Japanese businessman (Hiromitsu) around the mines and deserts of the Pilbara, with a view to selling his company the geology software she has been developing. Hiromitsu meanwhile mistakes her as his driver and demands they trek to the desert, unaware of the dangers. Against the background of this landscape, these two strangers journey further and further into the West Australian desert, leaving more and more of what they know about each other and themselves behind Country: México Direction: Brooks; Sue Script: Tilso; Alison Production: Masli; Sue Photography: Bake; Ian Sound: Grace; Peter Music: Drake; Elizabeth Cast:Collette; Toni, Tsunashima; Gotaro, Dyktynski; Matthew, Curran; Lynette, Tanaka; Yumiko, Atkinson; Kate, Howard; John, Young; Bill, Evans; Reg, Clarkegeorge Shevtsov; Justine Participation year at FICM: 2004
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
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El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24