2009 | B/N | 29 min At the beginning of the 1950s, Ingmar Bergman bought a movie camera, a 9.5 mm Bell & Howell, which he often used both privately and in his work. This documentary presents these films and reveals the different facets of one of the most important directors of all time. Fragments of interviews and commentaries by Bergman himself are included along with these images. To Bergman the film studio was his playground. Country: Suecia Direction: Björkman; Stig Script: Björkman; Stig Production: Asp; Jon, Film & Tv Production; Mantaray, Gardell; Stina, Dahlberg; Ingrid Photography: Bergman; Ingmar Sound: Christiansson; Christian Music: Bye; Matti Participation year at FICM: 2010
2009 | B/N | 29 min At the beginning of the 1950s, Ingmar Bergman bought a movie camera, a 9.5 mm Bell & Howell, which he often used both privately and in his work. This documentary presents these films and reveals the different facets of one of the most important directors of all time. Fragments of interviews and commentaries by Bergman himself are included along with these images. To Bergman the film studio was his playground. Country: Suecia Direction: Björkman; Stig Script: Björkman; Stig Production: Asp; Jon, Film & Tv Production; Mantaray, Gardell; Stina, Dahlberg; Ingrid Photography: Bergman; Ingmar Sound: Christiansson; Christian Music: Bye; Matti Participation year at FICM: 2010
Ingrid Bergman - In Her Own Words In 2011, Stig Björkman meets with Ingrid Bergman’s daughter, Isabella Rossellini, who proposes that he “make a film about Mama,” incorporating private archives, notes, letters, diaries, and interviews with her children, this documentary presents a personal portrait, offering viewers a vision of the remarkable life of a young Swedish woman who won three Academy Awards and became one of world’s most famous actresses. See More
...But Film Is my Mistress With the participation of Liv Ullmann and commentaries by prominent filmmakers like Woody Allen, Olivier Assayas, Bernardo Bertolucci, Arnaud Desplechin, John Sayles, Martin Scorsese and Lars von Trier, who consider Bergman has been and continues to be a fundamental influence on them, the film presents a portrayal of the artist who, in every project he started, confronted a new challenge for himself and for those who worked with him. See More
Four 22nd FICM short films, presented at the 64th Cannes Critics’ Week, got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Short films from the 22nd FICM presented at the 64th Cannes Critics' Week to be screened in Paris 05 · 22 · 25 CAYÓ DE LA GLORIA EL DIABLO 05 · 08 · 25
Four 22nd FICM short films, presented at the 64th Cannes Critics’ Week, got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
Short films from the 22nd FICM presented at the 64th Cannes Critics' Week to be screened in Paris 05 · 22 · 25
