2017 | Color | 114:00 Coni yearns for equitable social structure in a world of chaotic injustice. After losing his best friend, Juan fears for his own life and goes underground. Mario is searching for his missing brother so he can save their mother, who is devastated by her son’s absence. Three characters who rebel against impunity and refuse to tolerate indifference. Direction: Bonleux; Ludovic Script: Bonleux; Ludovic, García; Pedro Production: Bonleux; Ludovic, Rossini; Carlos, Graullera; Tatiana, Altuna; Emiliano Photography: Pardo; Ernesto, Bonleux; Ludovic, Del Conde; Ricardo, Rossini; Carlos Federico Sound: Lobato; Francisco Music: Danoy; Manuel Cast:Coni, Mario y Juan. Participation year at FICM: 2017
2017 | Color | 114:00 Coni yearns for equitable social structure in a world of chaotic injustice. After losing his best friend, Juan fears for his own life and goes underground. Mario is searching for his missing brother so he can save their mother, who is devastated by her son’s absence. Three characters who rebel against impunity and refuse to tolerate indifference. Direction: Bonleux; Ludovic Script: Bonleux; Ludovic, García; Pedro Production: Bonleux; Ludovic, Rossini; Carlos, Graullera; Tatiana, Altuna; Emiliano Photography: Pardo; Ernesto, Bonleux; Ludovic, Del Conde; Ricardo, Rossini; Carlos Federico Sound: Lobato; Francisco Music: Danoy; Manuel Cast:Coni, Mario y Juan. Participation year at FICM: 2017
Why kill them? Fifty years later, a former soldier returns to Tlatelolco Square, where he participated in the massacre of dozens of students. See More
Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26 LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
