2023 | B/N | 102:00 “The trip to Mars can only be understood through Black Americans.” Legendary poet Nikki Giovanni’s revelation is a launch pad for an inspiring exploration of her life and legacy. Through a collision of memories, moments in American history, live readings of her poetry, and impressions of space, Giovanni urges us to imagine a future where Black women lead and equity is a reality. Country: Estados Unidos Direction: Stephenson; Michele, Brewster; Joe Script: Brewster; Joe, Stephenson; Michele Production: Brewster; Joe, Stephenson; Michele, Oliver; Tommy Photography: Alcántara; Alfredo, Harriott; Greg, Wiesehahn; Derek, Peters; Shawn Sound: Helm; Fredrick Music: Samora Pinderhughes, Chris Pattishall Participation year at FICM: 2023
2023 | B/N | 102:00 “The trip to Mars can only be understood through Black Americans.” Legendary poet Nikki Giovanni’s revelation is a launch pad for an inspiring exploration of her life and legacy. Through a collision of memories, moments in American history, live readings of her poetry, and impressions of space, Giovanni urges us to imagine a future where Black women lead and equity is a reality. Country: Estados Unidos Direction: Stephenson; Michele, Brewster; Joe Script: Brewster; Joe, Stephenson; Michele Production: Brewster; Joe, Stephenson; Michele, Oliver; Tommy Photography: Alcántara; Alfredo, Harriott; Greg, Wiesehahn; Derek, Peters; Shawn Sound: Helm; Fredrick Music: Samora Pinderhughes, Chris Pattishall Participation year at FICM: 2023
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
Ismael Rodríguez and Hollywood 05 · 15 · 24 There is no one like mom. Mexico: atypical maternities in the 20th century 05 · 09 · 24 Farewell Laurent Cantet: two of his early films 05 · 02 · 24 El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
