2023 | Color | 01:49 The frantic trip through the Mexico City subway this time is led by hundreds of sardines with the sole mission of reaching their destination and, if possible, enjoying the trip; always remembering that Before Entering, Allow to Exit Country: México Direction: García Caballero; Alejandro Script: García Caballero; Alejandro Male Production: Meléndez Villanueva; Melissa Photography: Monroy; Elis, García; Alejandro Sound: García Caballero; Alejandro Male Music: Orquesta Sinfónica de México Art direction: García Caballero; Alejandro Male Participation year at FICM: 2023
2023 | Color | 01:49 The frantic trip through the Mexico City subway this time is led by hundreds of sardines with the sole mission of reaching their destination and, if possible, enjoying the trip; always remembering that Before Entering, Allow to Exit Country: México Direction: García Caballero; Alejandro Script: García Caballero; Alejandro Male Production: Meléndez Villanueva; Melissa Photography: Monroy; Elis, García; Alejandro Sound: García Caballero; Alejandro Male Music: Orquesta Sinfónica de México Art direction: García Caballero; Alejandro Male Participation year at FICM: 2023
The Garden of Delights In the garden of delights, a visitor from the underworld finds that color and madness are the ingredients to create a new universe. See More
Tintico's Afternoons Under the beautiful Quebrada cliff in Acapulco, a group of mosquitoes addicted to tropical music desperately try to bring happiness back into a rumba director´s life. Join us and come to enjoy great musical numbers, superb talent and a lot of Sabor! See More
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24 Lorena Velázquez: reina del fantástico y más… 04 · 18 · 24 Marlon Brando and his connection with Mexico one hundred years after his death 04 · 04 · 24 Tarantino in Morelia 2009 03 · 27 · 24
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
