2018 | Color | 18:00 Hector, is in love with Magda, his co-worker. After learning that he will be appointed as new manager, Hector decides to invite her out when he thinks he discovers her trying to kiss another employee. To confirm this, he resorts to the security cameras where he discovers his workplace is not what he thought it was. Disappointed, Hector explodes and Magda, realizing the situation, becomes accomplice of an unexpected and liberating act. Direction: García Agraz; Natalia Script: García Agraz; Natalia, Lechuga; Gerardo Production: Centro de Capacitación Cinematográfica (CCC);, A.C. Photography: Grimaldo; José Manuel Sound: Gómez Leyva; Fernando Music: García Agraz; Tomás, Gómez Fernández; Santiago Cast:Adriana Marroquín, Tomás García Agraz, Mateo Miranda Magis, Robert Ascher, Raúl Briones, Lorea Montemayor, Trujillo; Alberto, Arreola; Enrique, Ulises Galván Art direction: Gallastegui; Sofía, Castañon; Perla Participation year at FICM: 2018
2018 | Color | 18:00 Hector, is in love with Magda, his co-worker. After learning that he will be appointed as new manager, Hector decides to invite her out when he thinks he discovers her trying to kiss another employee. To confirm this, he resorts to the security cameras where he discovers his workplace is not what he thought it was. Disappointed, Hector explodes and Magda, realizing the situation, becomes accomplice of an unexpected and liberating act. Direction: García Agraz; Natalia Script: García Agraz; Natalia, Lechuga; Gerardo Production: Centro de Capacitación Cinematográfica (CCC);, A.C. Photography: Grimaldo; José Manuel Sound: Gómez Leyva; Fernando Music: García Agraz; Tomás, Gómez Fernández; Santiago Cast:Adriana Marroquín, Tomás García Agraz, Mateo Miranda Magis, Robert Ascher, Raúl Briones, Lorea Montemayor, Trujillo; Alberto, Arreola; Enrique, Ulises Galván Art direction: Gallastegui; Sofía, Castañon; Perla Participation year at FICM: 2018
Passarinho Olivia and Laura, two 13-year-old teenagers, have a plan to get the autograph of Passarinho, a Brazilian soccer idol, but before they can put the plan into action, Olivia has her first period. See More
A Revolution Mariana works in a call center. Her days are marked by insults from angry clients and long commutes in public transport without seeing daylight. After the sudden death of a coworker, she meets Irene, who begins sending her love poems. As she falls in love for the first time, Mariana slowly becomes immune to the hostile world around her, allowing herself to break her routine just a little. See More
The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26 LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26 FICM and the Curacao Film Festival Reaffirm Their Alliance to Promote Cinema With a Showcase of Caribbean Short Films 10 · 23 · 26
LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
FICM and the Curacao Film Festival Reaffirm Their Alliance to Promote Cinema With a Showcase of Caribbean Short Films 10 · 23 · 26
