2010 | Color | 98 min On the eve of the 30th anniversary of the triumph of Nicaragua?s Revolution, a long forgotten Sandinista commander appears: Paco Jarquín. Contrary to most of his former FSLN colleagues, he preferred to deny his glorious past and live anonymously as a dance teacher in neighboring Costa Rica. Country: Brasil, Costa Rica Direction: Ferraz; Vicente, Martínez; Isabel Script: Ferraz; Vicente Production: Martínez; Isabel Photography: Ferraz; Vicente Sound: Heder; Haymo, Istueta; Ricardo Music: Padrón; Jenny Cast:Catania; Alfredo, Ulloa; Anabel, Darkins; Thelma, Alcázar; Damián, Clara Carranza; Ana Participation year at FICM: 2011
2010 | Color | 98 min On the eve of the 30th anniversary of the triumph of Nicaragua?s Revolution, a long forgotten Sandinista commander appears: Paco Jarquín. Contrary to most of his former FSLN colleagues, he preferred to deny his glorious past and live anonymously as a dance teacher in neighboring Costa Rica. Country: Brasil, Costa Rica Direction: Ferraz; Vicente, Martínez; Isabel Script: Ferraz; Vicente Production: Martínez; Isabel Photography: Ferraz; Vicente Sound: Heder; Haymo, Istueta; Ricardo Music: Padrón; Jenny Cast:Catania; Alfredo, Ulloa; Anabel, Darkins; Thelma, Alcázar; Damián, Clara Carranza; Ana Participation year at FICM: 2011
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
Bruno Dumont and HADEWIJCH: FICM 2009 02 · 20 · 25 Yolanda Montes “Tongolele”, diosa de la danza 02 · 18 · 25 PEPE EL TORO appears in Cahiers 02 · 13 · 25 David Lynch (1946-2025), Mexico and a Lynchian Anecdote 01 · 23 · 25
