1977 | Color | 110:00 Manuela, a transvestite who works in a brothel run by her daughter, learns that Pancho, a truck driver who once violently attacked her, is returning to town. Despite her fear, she decides to confront her passion for him. Direction: Ripstein; Arturo Script: basado en la novela homónima de José Donoso, Ripstein; Arturo, Pacheco; José Emilio Production: del Villar; Francisco Photography: Garzón; Miguel Sound: Carrasco; Guillermo, Saldívar; Ricardo Music: Gutiérrez Heras; Joaquín Cast:Villa; Lucha, Martín; Ana, Soler; Fernando, Salinas; Carmen, Pastor; Julián, Cobo; Roberto, Vega Gonzalo Art direction: Kleomenes Stamatiades Participation year at FICM: 2018
1977 | Color | 110:00 Manuela, a transvestite who works in a brothel run by her daughter, learns that Pancho, a truck driver who once violently attacked her, is returning to town. Despite her fear, she decides to confront her passion for him. Direction: Ripstein; Arturo Script: basado en la novela homónima de José Donoso, Ripstein; Arturo, Pacheco; José Emilio Production: del Villar; Francisco Photography: Garzón; Miguel Sound: Carrasco; Guillermo, Saldívar; Ricardo Music: Gutiérrez Heras; Joaquín Cast:Villa; Lucha, Martín; Ana, Soler; Fernando, Salinas; Carmen, Pastor; Julián, Cobo; Roberto, Vega Gonzalo Art direction: Kleomenes Stamatiades Participation year at FICM: 2018
Profundo carmesí Mexico, 1949. Coral Fabre, a nurse for terminally ill patients who struggles to support her two children, dreams of the popular French actor Charles Boyer. In the love advice section of a magazine she reads, she finds an ad from one Nicolás Estrella, who boasts about his resemblance to Boyer and presents himself as a Spanish gentleman seeking a romantic relationship. Coral decides to write to him... See More
The Cause An interview with Chicano leader César Chávez, leader of the United Farm Workers labor union, who discusses the problems facing the Mexican population in certain states of the US. This is the struggle of a movement confronting social and economic pressure as it seeks to protect its own culture and identity from being uprooted. See More
El diablo entre las piernas Bored, “El Viejo” wanders the house, spying on his wife Beatriz. The fighting takes a toll and the balance is disturbed: Beatriz, knowing she’s under scrutiny, feels both desired and desirable. But she wants proof. One night she leaves home on an aimless walk with a single purpose: sex. Her return unleashes catastrophy. Dinorah, the maid, refuses to allow this audacity and takes a side. See More
The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26 LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26 FICM and the Curacao Film Festival Reaffirm Their Alliance to Promote Cinema With a Showcase of Caribbean Short Films 10 · 23 · 26
LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
FICM and the Curacao Film Festival Reaffirm Their Alliance to Promote Cinema With a Showcase of Caribbean Short Films 10 · 23 · 26
