2008 | Color | 14 min After her husband leaves, 50-year-old Ana sinks into a deep depression. One day she decides to take charge of her life and discovers her repressed sexual desires. She begins a process of change that leads her to her new sexuality. Country: México Direction: Benito; Marie Script: Benito; Marie Production: C; C, Castro; Ángeles Photography: Balvás; Vidblaín Sound: Peñaloza; Diana Music: Márquez; Rodrigo Cast:Wood; Keyla, Montiel; Manuel, Woolrich; Paloma Art direction: Hernández; Jorge Participation year at FICM: 2008
2008 | Color | 14 min After her husband leaves, 50-year-old Ana sinks into a deep depression. One day she decides to take charge of her life and discovers her repressed sexual desires. She begins a process of change that leads her to her new sexuality. Country: México Direction: Benito; Marie Script: Benito; Marie Production: C; C, Castro; Ángeles Photography: Balvás; Vidblaín Sound: Peñaloza; Diana Music: Márquez; Rodrigo Cast:Wood; Keyla, Montiel; Manuel, Woolrich; Paloma Art direction: Hernández; Jorge Participation year at FICM: 2008
Blurry Days Emilia is a single, independent biologist whose main goal is to get pregnant. By moving into her new flat, she suddenly meets her neighbour Felipe. Their paths fortuitously converge in a unique friendship where life and death are questioned. They go through the common and global chaos, looking for how to make their deepest beliefs and desires come true See More
Stella Maris A father and his ten-year-old daughter undertake a journey to the ocean with a specific purpose in mind. See More
Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26 LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
