2003 | Color | 11 min Cristóbals friendship seems to confuse Yuniel, a teenager from Havana. What worries him most is that Cristóbal is about to leave Cuba. Writing is the only thing that liberates Yuniel, and he enjoys it in solitude. Sometimes. Sometimes I think writing is useless, useless even to help me learn your name, which is clear and fresh, and sometimes a little bitter Country: México Direction: Rueda Reyes; Joselo, Zamora; Fernando Script: Zamora; Fernando Production: Zamora; Fernando, Rueda; Joselo Photography: Asensio; David Sound: New Art Sound; Music: Alonso; Joel Cast:Pérez Beltrán; Yasnier, Rodón; Norberto Art direction: Papo; El Participation year at FICM: 2004
2003 | Color | 11 min Cristóbals friendship seems to confuse Yuniel, a teenager from Havana. What worries him most is that Cristóbal is about to leave Cuba. Writing is the only thing that liberates Yuniel, and he enjoys it in solitude. Sometimes. Sometimes I think writing is useless, useless even to help me learn your name, which is clear and fresh, and sometimes a little bitter Country: México Direction: Rueda Reyes; Joselo, Zamora; Fernando Script: Zamora; Fernando Production: Zamora; Fernando, Rueda; Joselo Photography: Asensio; David Sound: New Art Sound; Music: Alonso; Joel Cast:Pérez Beltrán; Yasnier, Rodón; Norberto Art direction: Papo; El Participation year at FICM: 2004
Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
