2003 | Color | 11 min Cristóbals friendship seems to confuse Yuniel, a teenager from Havana. What worries him most is that Cristóbal is about to leave Cuba. Writing is the only thing that liberates Yuniel, and he enjoys it in solitude. Sometimes. Sometimes I think writing is useless, useless even to help me learn your name, which is clear and fresh, and sometimes a little bitter Country: México Direction: Rueda Reyes; Joselo, Zamora; Fernando Script: Zamora; Fernando Production: Zamora; Fernando, Rueda; Joselo Photography: Asensio; David Sound: New Art Sound; Music: Alonso; Joel Cast:Pérez Beltrán; Yasnier, Rodón; Norberto Art direction: Papo; El Participation year at FICM: 2004
2003 | Color | 11 min Cristóbals friendship seems to confuse Yuniel, a teenager from Havana. What worries him most is that Cristóbal is about to leave Cuba. Writing is the only thing that liberates Yuniel, and he enjoys it in solitude. Sometimes. Sometimes I think writing is useless, useless even to help me learn your name, which is clear and fresh, and sometimes a little bitter Country: México Direction: Rueda Reyes; Joselo, Zamora; Fernando Script: Zamora; Fernando Production: Zamora; Fernando, Rueda; Joselo Photography: Asensio; David Sound: New Art Sound; Music: Alonso; Joel Cast:Pérez Beltrán; Yasnier, Rodón; Norberto Art direction: Papo; El Participation year at FICM: 2004
ADOLFO DOMÍNGUEZ: EL ECO DE OTRAS VOCES Arrives at the 24th FICM 10 · 21 · 26 Juan Antonio Bayona Presents BEYOND SOCIETY and Unveils His Commemorative Armchair at the 24th FICM 10 · 21 · 26 NAZA by Yuval Abraham and Rachel Szor Had Its Mexican Premiere at the 24th FICM 10 · 21 · 26 FICM Pays Tribute to Dolores del Río with the Restored Version of PRECIO DE LA GLORIA 10 · 21 · 26
Juan Antonio Bayona Presents BEYOND SOCIETY and Unveils His Commemorative Armchair at the 24th FICM 10 · 21 · 26
