2003 | Color | 11 min Cristóbals friendship seems to confuse Yuniel, a teenager from Havana. What worries him most is that Cristóbal is about to leave Cuba. Writing is the only thing that liberates Yuniel, and he enjoys it in solitude. Sometimes. Sometimes I think writing is useless, useless even to help me learn your name, which is clear and fresh, and sometimes a little bitter Country: México Direction: Rueda Reyes; Joselo, Zamora; Fernando Script: Zamora; Fernando Production: Zamora; Fernando, Rueda; Joselo Photography: Asensio; David Sound: New Art Sound; Music: Alonso; Joel Cast:Pérez Beltrán; Yasnier, Rodón; Norberto Art direction: Papo; El Participation year at FICM: 2004
2003 | Color | 11 min Cristóbals friendship seems to confuse Yuniel, a teenager from Havana. What worries him most is that Cristóbal is about to leave Cuba. Writing is the only thing that liberates Yuniel, and he enjoys it in solitude. Sometimes. Sometimes I think writing is useless, useless even to help me learn your name, which is clear and fresh, and sometimes a little bitter Country: México Direction: Rueda Reyes; Joselo, Zamora; Fernando Script: Zamora; Fernando Production: Zamora; Fernando, Rueda; Joselo Photography: Asensio; David Sound: New Art Sound; Music: Alonso; Joel Cast:Pérez Beltrán; Yasnier, Rodón; Norberto Art direction: Papo; El Participation year at FICM: 2004
“I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Filmmaking without fear: Robin Campillo and the legacy of Laurent Cantet at ENZO 02 · 20 · 26 Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
