2018 | Color | 30:00 Sonia and Mateo embark on a road trip with the excuse of mending the cracks in their relationship. Crossing the highway and in an emotional roller coaster they will find out if there is more friction and aggression in the world surrounding them or deep within them both. There’s always a final straw. Direction: Giles; Pablo Script: Mata; Ana, Giles; Pablo Production: A.C., Centro de Capacitación Cinematográfica (CCC); Photography: González; Sebastián Sound: Orozco; Omar Music: Ritter; Daniel Cast:Álvarez Rebeil; Fernando, Ciangherotti; Cassandra Art direction: Hopf; Paula Participation year at FICM: 2018
2018 | Color | 30:00 Sonia and Mateo embark on a road trip with the excuse of mending the cracks in their relationship. Crossing the highway and in an emotional roller coaster they will find out if there is more friction and aggression in the world surrounding them or deep within them both. There’s always a final straw. Direction: Giles; Pablo Script: Mata; Ana, Giles; Pablo Production: A.C., Centro de Capacitación Cinematográfica (CCC); Photography: González; Sebastián Sound: Orozco; Omar Music: Ritter; Daniel Cast:Álvarez Rebeil; Fernando, Ciangherotti; Cassandra Art direction: Hopf; Paula Participation year at FICM: 2018
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
