2021 | Color | 13:01 Ambushed by her first period, Ceci calmly concludes she's dying. Yet she doesn't want to bother Dad with it, so she prepares a bucket list (including her first real kiss) and her funeral, because death should be an art. Direction: Ponce; Maria Victoria Script: Ponce; María Victoria Production: Cortez; Sophia, Cortez; Vincent, MacLean; Heather Photography: Fletcher; Alexander Sound: Kinzey; Scott Music: Avalos; Santino, Stevens Ibarra; Roxanna Art direction: Leandro; Melanie Participation year at FICM: 2021
2021 | Color | 13:01 Ambushed by her first period, Ceci calmly concludes she's dying. Yet she doesn't want to bother Dad with it, so she prepares a bucket list (including her first real kiss) and her funeral, because death should be an art. Direction: Ponce; Maria Victoria Script: Ponce; María Victoria Production: Cortez; Sophia, Cortez; Vincent, MacLean; Heather Photography: Fletcher; Alexander Sound: Kinzey; Scott Music: Avalos; Santino, Stevens Ibarra; Roxanna Art direction: Leandro; Melanie Participation year at FICM: 2021
Ruda Eleven-year-old Aurora is an apprentice to her healer grandmother. Aurora worries about disappointing her Nina; she just wants to be a kid, and Wonder Woman is more her style. After falling and hurting herself during an outdoor adventure, Aurora learns that Wonder Woman suits her grandmother’s style, too. See More
Four 22nd FICM short films, presented at the 64th Cannes Critics’ Week, got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25 Short films from the 22nd FICM presented at the 64th Cannes Critics' Week to be screened in Paris 05 · 22 · 25
Four 22nd FICM short films, presented at the 64th Cannes Critics’ Week, got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
Short films from the 22nd FICM presented at the 64th Cannes Critics' Week to be screened in Paris 05 · 22 · 25