2006 | Color | 123 min A lonely waitress with a tragic past, Agnes rooms in a run-down motel, living in fear of her abusive, recenlty paroled ex husband. But when Agnes begins a tentative romance with Peter, an eccentric, nervous drifter, she starts to feel hopeful again until the first bug arrives Country: Estados Unidos Direction: Friedkin; William Script: Lett; Tracy Production: Schard; Andreas, Burns; Michael, Petal; Malcolm, Huckabay; Gary, C Anderson; Kimberly, Wiersma; Holly Photography: Grad; Michael Sound: Boeddeker; Steve Music: Tyler; Brian Participation year at FICM: 2007
2006 | Color | 123 min A lonely waitress with a tragic past, Agnes rooms in a run-down motel, living in fear of her abusive, recenlty paroled ex husband. But when Agnes begins a tentative romance with Peter, an eccentric, nervous drifter, she starts to feel hopeful again until the first bug arrives Country: Estados Unidos Direction: Friedkin; William Script: Lett; Tracy Production: Schard; Andreas, Burns; Michael, Petal; Malcolm, Huckabay; Gary, C Anderson; Kimberly, Wiersma; Holly Photography: Grad; Michael Sound: Boeddeker; Steve Music: Tyler; Brian Participation year at FICM: 2007
To Live and Die in L.A. Two cops in Los Angeles try to track down a vicious criminal named Eric Masters. When one of them is killed by Masters the other cop swears revenge, no matter what the cost. The cop becomes obsessed with getting Masters and the law he once swore to uphold becomes meaningless to him. See More
Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
