2018 | Color | 101:00 The life of Fermín goes by, divided between his work as a diablero and the confinement he lives in within his house. Like him, other families live in a vecindad in the heart of Mexico City. One day, a company colluded with the government threatens to evict the vecindad tenants in order to build a mall. Facing the threat of an eviction, the tenants join in solidarity to come out of their self-absorption and fight for a common cause. Direction: Gómez Concheiro; Iria Script: Juan Pablo Gómez, Gómez Concheiro; Iria Production: Rodrigo Ríos Legaspi Photography: Sebastián Hiriart AMC Sound: Tamez; Pablo, Christian Giraud Music: Max Rodriguez; Aldo Cast:Santiago Fonseca, Patricia Serrano, Mercedes Hernández, Alonso; Leonardo, Francisco Cortés. Art direction: Saade; Diana Participation year at FICM: 2018
2018 | Color | 101:00 The life of Fermín goes by, divided between his work as a diablero and the confinement he lives in within his house. Like him, other families live in a vecindad in the heart of Mexico City. One day, a company colluded with the government threatens to evict the vecindad tenants in order to build a mall. Facing the threat of an eviction, the tenants join in solidarity to come out of their self-absorption and fight for a common cause. Direction: Gómez Concheiro; Iria Script: Juan Pablo Gómez, Gómez Concheiro; Iria Production: Rodrigo Ríos Legaspi Photography: Sebastián Hiriart AMC Sound: Tamez; Pablo, Christian Giraud Music: Max Rodriguez; Aldo Cast:Santiago Fonseca, Patricia Serrano, Mercedes Hernández, Alonso; Leonardo, Francisco Cortés. Art direction: Saade; Diana Participation year at FICM: 2018
Tell Me What You Feel In the streets of downtown Mexico City, Micaela finds herself suffering from unrequited love. Just when she thinks all is lost, she invents a new job for herself writing letters for passers-by outside the subway. There, she meets Julián, a salesman who makes her believe in love again. See More
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El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
