2005 | Color | 100 min A riveting documentary that promises to spark debate and may well affect critical environmental change. The film weaves the science of global warming with former Vice President Al Gore?s personal history and longtime commitment to communicating the need to reverse the effects of global climate change. Mr. Gore indisputably correlates scientific evidence supporting global warming with exponentially rising temperatures, already responsible for dramatic climate shifts like ice cap melting, drought and rising sea levels Direction: Guggenheim; Davis Production: Z Burns; Scott, Burns; Scott, Bender; Lawrence Photography: Guggenhei; Davis, Richman; Bob Sound: S Mccoy; Daniel, Lievsay; Skip Music: Brook; Michael, Etheridge; Melissa Cast:Gore; Al Participation year at FICM: 2006
2005 | Color | 100 min A riveting documentary that promises to spark debate and may well affect critical environmental change. The film weaves the science of global warming with former Vice President Al Gore?s personal history and longtime commitment to communicating the need to reverse the effects of global climate change. Mr. Gore indisputably correlates scientific evidence supporting global warming with exponentially rising temperatures, already responsible for dramatic climate shifts like ice cap melting, drought and rising sea levels Direction: Guggenheim; Davis Production: Z Burns; Scott, Burns; Scott, Bender; Lawrence Photography: Guggenhei; Davis, Richman; Bob Sound: S Mccoy; Daniel, Lievsay; Skip Music: Brook; Michael, Etheridge; Melissa Cast:Gore; Al Participation year at FICM: 2006
He Named Me Malala An intimate portrait of Nobel Peace Prize Laureate Malala Yousafzai, who was targeted by the Taliban at age 15, along with her father, for defending girls’ education; she was shot and severely wounded as she returned home on a school bus in Pakistan. The attack sparked a strong response from supporters around the world. She miraculously survived and is now a committed activist and a co-founder of the Malala Fund. See More
“I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Frederick Wiseman and the poetics of patience 03 · 03 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Filmmaking without fear: Robin Campillo and the legacy of Laurent Cantet at ENZO 02 · 20 · 26
