2021 | Color | 10:00 There he sits proudly on his beautiful motorbike that he would never lend to anyone. He is sure that only he can explore the jungle. A playful re-enactment with reversed roles that takes aim at the hubris of the colonial conquerors, in a playful commentary on the dynamics between man and machine, reality and representation, handsomeness and cinema, past and present. Direction: Herrera; Gabriel Script: Herrera; Gabriel Production: Bernal; Susana Photography: Reinhard; Stefanie Sound: Herrera; Gabriel, Navarro; Rodrigo, Suyua; Naybi Music: Navarro; Rodrigo, Suyua; Naybi Cast:Morales; Ángel, Illiescas; David Art direction: antillas 906/202 Participation year at FICM: 2021
2021 | Color | 10:00 There he sits proudly on his beautiful motorbike that he would never lend to anyone. He is sure that only he can explore the jungle. A playful re-enactment with reversed roles that takes aim at the hubris of the colonial conquerors, in a playful commentary on the dynamics between man and machine, reality and representation, handsomeness and cinema, past and present. Direction: Herrera; Gabriel Script: Herrera; Gabriel Production: Bernal; Susana Photography: Reinhard; Stefanie Sound: Herrera; Gabriel, Navarro; Rodrigo, Suyua; Naybi Music: Navarro; Rodrigo, Suyua; Naybi Cast:Morales; Ángel, Illiescas; David Art direction: antillas 906/202 Participation year at FICM: 2021
La cruzada Abel and Marianne discover that their 13-year-old son Joseph has been secretly selling his most prized possessions. They quickly realize that Joseph is not the only one, there are hundreds of children around the world doing the same thing. His mission: finance a mysterious project in Africa to save the planet. See More
Jane Campion: The Cinema Woman A pioneer among filmmakers, Jane Campion was the first woman to win the Palme d’Or at Cannes, for The Piano. In 40 years of work, she has carved out a unique place for herself in the highly masculine pantheon of cinema. A visual and iconoclastic director, a subtle portraitist of women and the human soul, Campion is also a furtive director: both discreet and whimsical, gentle and impertinent, and sometimes misunderstood. See More
Niños de la calle and other documentaries of 2003 05 · 25 · 23 Migration, enforced disappearances, memory and oblivion in three documentaries 05 · 18 · 23 SUNDOWN by Michel Franco... the other Acapulco 05 · 11 · 23 Carlos Monsiváis, 85 years after his birth 05 · 04 · 23
