Selena, “a film for Latin girls who did not have princesses similar to them”

The FICM inaugurated Impulso Morelia 5 at the Morelos Casa Natal

Hugo Villa presented the restored version of Doña Herlinda and her son, by Jaime Humberto Hermosillo

José María Yazpik presented Polvo at the 17th FICM

Hugo Villa and Viviana García present El fantasma del convento, restored version

Sanctorum, by Joshua Gil, takes us from Mixe magic to drug trafficking hell

Ella es Cristina, by Gonzalo Maza, premiered at the 17th FICM

Luc Dardenne presented El niño at the 17th FICM and unveiled the armchair with his name