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Andalón Delgadillo Cecilia

Andalón Delgadillo; Cecilia

Animación, Dirección, Dirección de arte, Guión

Estudió la licenciatura en Artes Visuales para la Expresión Plástica en la Universidad de Guadalajara, se tituló con la tesis: Las artes plásticas y su relación con seis cortometrajes de animación stopmotion realizados en Jalisco. Ha trabajado en diferentes proyectos de animación dentro del departamento de arte: Pinocchio de Guillermo del Toro, Inzomnia del director Luis Téllez, La casa de la memoria de Sofía Arreola por mencionar algunos. Coescribió el artículo: Exploraciones estéticas y simbólicas sobre la muerte y la infancia en cortos stopmotion realizados en Guadalajara, publicado en la revista española con A de animación.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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