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Obregón; Gabriela

Dirección, Fotografía, Guión, Producción

Trabaja en la empresa Televicine, México, donde se ha dedicado a la producción desde hace más de diez años. Ha producido, entre otras obras, Santo, la leyenda del Enmascarado de Plata (1992) de Gilberto de Anda, Crimen perfecto (1995) de Rafael Montero y Sin remitente (1995) de Carlos Carrera. Como directora, participó en la Selección Oficial del 11° Festival Internacional de Cine de Morelia (FICM) con su ópera prima documental El hombre detrás de la máscara (2013). Esta obra participó, además, en la sección Marché du Film en el marco del 66° Festival de Cannes, Francia; en el 9° Festival Internacional de Cine de Acapulco (FICA), México; y en el 28° Festival Internacional de Cine de Mar del Plata, Argentina, entre otros.

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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