Image Rivera; Christian Animación, Dirección, Fotografía, Guión, Producción Estudió la licenciatura en Cinematografía en el Centro de Capacitación Cinematográfica (CCC), Ciudad de México, con un intercambio en la Escuela Superior de Cine y Audiovisuales de Cataluña (ESCAC), Barcelona. Participó en el 1er Guadalajara Talents en 2009. Actualmente cursa un Master of Fine Arts (MFA) en la Universidad Concordia, Montreal. Participó en el 8° Festival Internacional de Cine de Morelia (FICM) con su cortometraje de animación Desierto (2010); ganador del premio a Mejor Cortometraje de Animación en el 3er Rodando Film Festival San Luis Potosí (RFF SLP). Ha obtenido diversos premios por su trabajo como director de fotografía y supervisor de efectos visuales, entre ellos Mejor Fotografía en el 3er Festival de Cine Universitario Kinoki, Ciudad de México, por Es muy fácil (2007) de Pablo Figueroa; Mejor Dirección de Fotografía de Cine en el 6° Festival Montevideo Fantástico, Uruguay, por La pantera negra (2010) de Iyari Wertta; y el Ariel por Mejores Efectos Visuales en la 52ª entrega de los premios Ariel, México, por Conozca la cabeza de Juan Pérez (2008) de Emilio Portes. Other Movies Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Ziuta travesías Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life. See More Zinzindurrunkarratz Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way. See More Related News Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Rivera; Christian Animación, Dirección, Fotografía, Guión, Producción Estudió la licenciatura en Cinematografía en el Centro de Capacitación Cinematográfica (CCC), Ciudad de México, con un intercambio en la Escuela Superior de Cine y Audiovisuales de Cataluña (ESCAC), Barcelona. Participó en el 1er Guadalajara Talents en 2009. Actualmente cursa un Master of Fine Arts (MFA) en la Universidad Concordia, Montreal. Participó en el 8° Festival Internacional de Cine de Morelia (FICM) con su cortometraje de animación Desierto (2010); ganador del premio a Mejor Cortometraje de Animación en el 3er Rodando Film Festival San Luis Potosí (RFF SLP). Ha obtenido diversos premios por su trabajo como director de fotografía y supervisor de efectos visuales, entre ellos Mejor Fotografía en el 3er Festival de Cine Universitario Kinoki, Ciudad de México, por Es muy fácil (2007) de Pablo Figueroa; Mejor Dirección de Fotografía de Cine en el 6° Festival Montevideo Fantástico, Uruguay, por La pantera negra (2010) de Iyari Wertta; y el Ariel por Mejores Efectos Visuales en la 52ª entrega de los premios Ariel, México, por Conozca la cabeza de Juan Pérez (2008) de Emilio Portes.
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
Ziuta travesías Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life. See More
Zinzindurrunkarratz Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way. See More
Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
