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Victoria Clay Mendoza

Clay Mendoza; Victoria

Dirección, Fotografía, Guión

Estudió una licenciatura en Artes en la Tisch School of Arts (TSOA), Nueva York. Participó en dos ediciones del Festival Internacional de Cine de Morelia (FICM). En el 1er FICM con su largometraje documental Maletilla (2003); que participó también en 18° Festival Internacional de Cine de Santa Bárbara (SBIFF por sus siglas en inglés) y en el 3er Festival de Cine de Sevilla, entre otros. En el 10° FICM participó con su largometraje documental sobre la artista plástica Sophie Calle, Sophie Calle, sin título (2012).

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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