Martinelli; Arturo

Dirección

Estudió la licenciatura en Ciencias de la Comunicación en la Universidad Intercontinental (UIC). Dirección en Talent Campus Guadalajara. Producción en la ESCAC en Barcelona, España. Funda Matruska Films en 2010 y desde entonces ha dirigido y producido varios proyectos audiovisuales.

Su primer cortometraje Volemos tomados de la mano (2005) se presentó en diversos festivales en América Latina, incluyendo el 4° Festival Internacional de Cine de Puebla, México; el 14° Festival Iberoamericano de Cine y Video Cinesul, Río de Janeiro, Brasil; y el 4° Festival Internacional de Cine Pobre, Cuba, entre otros. Su cortometraje Arroz (2012) recorrió numerosos festivales alrededor de mundo, entre ellos, el 10° Festival Internacional de Cine de Morelia (FICM), México; el 7° Short Shorts Film Festival México (SSFFM); el 27° Festival Internacional de Cine en Guadalajara (FICG), México; el 35° Festival Internacional del Nuevo Cine Latinoamericano de La Habana, Cuba; el 10° Corto Circuito Latino Shorts Film Festival de Nueva York, Estados Unidos; el 5° Festival de Cine Latinoamericano de Flandes, Bélgica; el 53° Festival Internacional de Cine de Cartagena de Indias (FICCI), Colombia, entre otros.

Filmografía: Ferrocat (2017), El Lamento de Regine (2015), Dos Días de Suerte (2015), Arroz (2012), Volemos Tomados de la Mano (2005).

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.