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Flores Contreras, Diego Alejandro

He studied cinematography at the Universidad del Cine (UCINE), Buenos Aires, Argentina. He received a scholarship for the 4th Ibermedia International Seminar, Santiago de Chile, in the creative production and script editing category. He participated in two editions of the Morelia International Film Festival (FICM). He participated with his short fiction film Los muebles no se van (2008) in the 6th FICM and the 6th Oberá en Cortos International Short Film Festival, Argentina, among others. He participated in the 8th Piriápolis de Película, Argentina, among other film showings and festivals, with his short film Bosquejos (2011), winner of the I. SAT Special Award at the 9th FICM and the Best Short Film award in the “Ficciones Cortas 2” program of Canal (á) “Cultura Activa”, Argentina. He was nominated in the 2nd edition of the Premio Nuevas Miradas en la Televisión, organized by the National University of Quilmes (UNQ, in Spanish), Buenos Aires, for his screenplay for the series Inconsciente colectivo (2013).

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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