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Cedeño, Miguel

He studied at the Jesuit University of Guadalajara (ITESO), Jalisco, Mexico. His documentary short film OSO_TAPATÍO (2014), co-directed with Erick Flores, is part of the Official Selection of the 12th Morelia International Film Festival (FICM). The film participated in the 17th Guanajuato International Film Festival (GIFF) in the Midnight Madness section. In addition to his work as a filmmaker, he has also been involved in academic research and production, including the publication of the article, “El videojuego político en México como género editorializado para la exhibición, burla y toma de postura del quehacer de los políticos” in the weekly social sciences and humanities magazine, Caleidoscopio, Number 30, 2014, of the Autonomous University of Aguascalientes (UAA), Mexico; and his presentation on “El cine como herramienta para el análisis de la dinámica del conflicto,” at the 3rd Cinematographic Analysis Forum (FACINE), 2013, Tijuana, Baja California, Mexico.

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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