Image Cedeño, Miguel He studied at the Jesuit University of Guadalajara (ITESO), Jalisco, Mexico. His documentary short film OSO_TAPATÍO (2014), co-directed with Erick Flores, is part of the Official Selection of the 12th Morelia International Film Festival (FICM). The film participated in the 17th Guanajuato International Film Festival (GIFF) in the Midnight Madness section. In addition to his work as a filmmaker, he has also been involved in academic research and production, including the publication of the article, “El videojuego político en México como género editorializado para la exhibición, burla y toma de postura del quehacer de los políticos” in the weekly social sciences and humanities magazine, Caleidoscopio, Number 30, 2014, of the Autonomous University of Aguascalientes (UAA), Mexico; and his presentation on “El cine como herramienta para el análisis de la dinámica del conflicto,” at the 3rd Cinematographic Analysis Forum (FACINE), 2013, Tijuana, Baja California, Mexico. Other Movies Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Related News Mesa con realizadores de cortometrajes y documentales 10 · 22 · 14 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Cedeño, Miguel He studied at the Jesuit University of Guadalajara (ITESO), Jalisco, Mexico. His documentary short film OSO_TAPATÍO (2014), co-directed with Erick Flores, is part of the Official Selection of the 12th Morelia International Film Festival (FICM). The film participated in the 17th Guanajuato International Film Festival (GIFF) in the Midnight Madness section. In addition to his work as a filmmaker, he has also been involved in academic research and production, including the publication of the article, “El videojuego político en México como género editorializado para la exhibición, burla y toma de postura del quehacer de los políticos” in the weekly social sciences and humanities magazine, Caleidoscopio, Number 30, 2014, of the Autonomous University of Aguascalientes (UAA), Mexico; and his presentation on “El cine como herramienta para el análisis de la dinámica del conflicto,” at the 3rd Cinematographic Analysis Forum (FACINE), 2013, Tijuana, Baja California, Mexico.
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
