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Bermúdez Fierro; Natalia

Bermúdez Fierro; Natalia

Direction, Script, Sound

Director, writer and photographer born in Tijuana, Baja California. She studied Cinematography at the Escuela Activa de Fotografía and has a degree in filmmaking with a specialty in direction at the Centro de Capacitación Cinematográfica. She has directed and written fiction and documentary short films such as Golden Malibu (official selection FICM, GIFF, Palm Springs.) Winner of the audience award at Kinoforum Sao Paulo and winner of Best Short Film at Houston Latino Filmfest and Le chien qui aboie), Entre las 8 y las 9 and Calendario de reconstrucción.

In 2018, her script Café Selva was a finalist at the GIFF National Screenplay Contest. In television, she has participated as a director and/or writer in programs such as Stories of a generation (Netflix), Erótica (Pantaya), Marea Alta (Vix), Mariachi Camargo (Canal 14), and as a director of cinematography in Cenizas de la Gloria (Vix) and Villamiseria. Her documentary debut Norte and her graduation short film Apnea are about to be released.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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