2016 | Color | 90:00 Joel masks a sick relationship with his mother practicing falconry until he meets a down to earth secretary, this leads to the loss of his hawk and as a consequence he has to face reality. Direction: Calderón; Miguel Script: Calderón; Miguel Production: Ramos; Jaime, Valdelièvre; Christian Photography: Penachito; Matías, Secco; María Sound: Tamez; Pablo Music: Gutiérrez; Herminio Cast:Calderón; Mauricio, Roa; Paris, Terán; Ana, Saldaña; Daniel, Sedano; Diana Art direction: Oyanguren; Lourdes Participation year at FICM: 2016
2016 | Color | 90:00 Joel masks a sick relationship with his mother practicing falconry until he meets a down to earth secretary, this leads to the loss of his hawk and as a consequence he has to face reality. Direction: Calderón; Miguel Script: Calderón; Miguel Production: Ramos; Jaime, Valdelièvre; Christian Photography: Penachito; Matías, Secco; María Sound: Tamez; Pablo Music: Gutiérrez; Herminio Cast:Calderón; Mauricio, Roa; Paris, Terán; Ana, Saldaña; Daniel, Sedano; Diana Art direction: Oyanguren; Lourdes Participation year at FICM: 2016
Loss Adjustment Pedro, an insurance adjuster who travels through Mexico investigating catastrophes, must deal with corrupt "vultures." To escape his job, he agrees to act in a play. The play takes on an emotional dimension greater than that of his profession, creating a parallel between his personal defeat and human tragedy, leading to an identity crisis. Two contradictory worlds collide, leaving him in a paradox. See More
Salón Los Ángeles on Screen 06 · 05 · 25 Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
