1999 | Color | 8 min Xanini mazorcas is the metaphor of the indigenous influence on rural Mexico through a cob that comes to life and makes its claims against the man of Indian descent. Country: México Direction: Cerano Bautista; Dante Script: Cerano Bautista; Dante Production: Exe Video Photography: Cerano Bautista; Dante Sound: Tomas; Eduviges Cast:Márquez; Ignacio Art direction: Cerano Bautista; Dante Participation year at FICM: 2009
1999 | Color | 8 min Xanini mazorcas is the metaphor of the indigenous influence on rural Mexico through a cob that comes to life and makes its claims against the man of Indian descent. Country: México Direction: Cerano Bautista; Dante Script: Cerano Bautista; Dante Production: Exe Video Photography: Cerano Bautista; Dante Sound: Tomas; Eduviges Cast:Márquez; Ignacio Art direction: Cerano Bautista; Dante Participation year at FICM: 2009
Cheranasticotown The migration of a Purépecha indigenous community is revealed through a video diary. See More
Volver a ver / Exentani Every year in the Purépecha village of Ahuiran, Michoacán, the day of Tsukuri Jukakua is celebrated, in which the ceremonial title of "cargueros" or carriers of the village is transfered to a new generation. This event serves as an occasion to meditate on the loss of traditional values. See More
Uarhicha en la muerte A submissive and solitary sïkuame (witch) is forced to perform witchcraft for a Uarhicha (a being from the underworld) with the condition that he frees her husband from the clutches of death. See More
“I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Filmmaking without fear: Robin Campillo and the legacy of Laurent Cantet at ENZO 02 · 20 · 26 Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
