2023 | Color | 78:25 A succession of individual views become the segments of one collective character: the kid who in a certain moment of his life had access to a gun, used it to kill, and soon became a part of the many pieces that conform a crime organization. It's a travel exploration to the bowels of the most fragile link on the chain of a crime organization, victims as well as perpetrators, which confirms the pain that means to fear a kid. Country: México Direction: González; Everardo Script: Balderas; Óscar, Rea; Daniela, González; Everardo Production: Garza; Roberto, Payán; Inna Photography: Secco; María, AMC Sound: Fortiana; Bernat, Barberis; Matías Music: Sánchez Maher; Andrés, , Konk Reyes; Haxa Participation year at FICM: 2023
2023 | Color | 78:25 A succession of individual views become the segments of one collective character: the kid who in a certain moment of his life had access to a gun, used it to kill, and soon became a part of the many pieces that conform a crime organization. It's a travel exploration to the bowels of the most fragile link on the chain of a crime organization, victims as well as perpetrators, which confirms the pain that means to fear a kid. Country: México Direction: González; Everardo Script: Balderas; Óscar, Rea; Daniela, González; Everardo Production: Garza; Roberto, Payán; Inna Photography: Secco; María, AMC Sound: Fortiana; Bernat, Barberis; Matías Music: Sánchez Maher; Andrés, , Konk Reyes; Haxa Participation year at FICM: 2023
A 3 Minute Hug How long is three minutes? That all depends on who you ask. Directed by acclaimed Mexican filmmaker Everardo González, A 3 Minute Hug offers a poignant look into a profound source of pain, not being able to embrace your loved ones. This Netflix Original documentary short produced by No Ficción, follows what transpires over the course of a few special minutes when families were able to reunite at the U.S.-Mexico border. See More
Devil´s Freedom A psychological documentary built on hair-raising interviews that enter the minds of the protagonists—both victims and perpetrators—of violence. We witness the fears of people who have lost a loved one, as well as of people who have provoked such loss. Society trembles with it. See More
“I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Filmmaking without fear: Robin Campillo and the legacy of Laurent Cantet at ENZO 02 · 20 · 26 Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
