1970 | Color | 102 min The story centers on Wanda, a rural housewife who embarks on a journey across an American landscape of decrepit factories, two-lane wastelands and ratty motels. Dragged into a relationship with small-time crook Michael Higgins, Wanda floats through life like a witness - a view of desperation filtered through a tinted windshield. Country: Estados Unidos Direction: Loden; Bárbara Script: Loden; Bárbara Production: Shuster; Harry, Loden; Bárbara Photography: T Proferes; Nicholas Sound: Hedman; Lars Cast:Manches; Valerie, Jourdano; Frank, Loden; Bárbara, Higgins; Michael, Shupenes; Dorothy Participation year at FICM: 2011
1970 | Color | 102 min The story centers on Wanda, a rural housewife who embarks on a journey across an American landscape of decrepit factories, two-lane wastelands and ratty motels. Dragged into a relationship with small-time crook Michael Higgins, Wanda floats through life like a witness - a view of desperation filtered through a tinted windshield. Country: Estados Unidos Direction: Loden; Bárbara Script: Loden; Bárbara Production: Shuster; Harry, Loden; Bárbara Photography: T Proferes; Nicholas Sound: Hedman; Lars Cast:Manches; Valerie, Jourdano; Frank, Loden; Bárbara, Higgins; Michael, Shupenes; Dorothy Participation year at FICM: 2011
Wanda Wanda, the mother of several small children, feels lonely and isolated in the Pennsylvania Rust Belt. Her husband works sporadically; just as he has abandoned her, so does she abandon him and their children, spending time in bars to pick up men. One night, she meets a petty thief who ropes her into his next criminal scheme. See More
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24 Lorena Velázquez: reina del fantástico y más… 04 · 18 · 24 Marlon Brando and his connection with Mexico one hundred years after his death 04 · 04 · 24 Tarantino in Morelia 2009 03 · 27 · 24
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
