2005 | Color | 6 min Victims A sequence of progressive, surprising images of a chase through the city. With an ironic undertone, memories evoke the cruel atmosphere of daily life Country: México Direction: Ademar Flores; José Script: López; Miguel Alexis, Ademar Flores; José Production: López; Miguel Alexis, Ademar Flores; José Photography: Ademar Flores; José Sound: Martínez; Noé, Ademar Flores; José Music: Ceratti; Gustavo Cast:Martínez; Noé, Sánchez Sosa; Iván Art direction: Ademar Flores; José Participation year at FICM: 2005
2005 | Color | 6 min Victims A sequence of progressive, surprising images of a chase through the city. With an ironic undertone, memories evoke the cruel atmosphere of daily life Country: México Direction: Ademar Flores; José Script: López; Miguel Alexis, Ademar Flores; José Production: López; Miguel Alexis, Ademar Flores; José Photography: Ademar Flores; José Sound: Martínez; Noé, Ademar Flores; José Music: Ceratti; Gustavo Cast:Martínez; Noé, Sánchez Sosa; Iván Art direction: Ademar Flores; José Participation year at FICM: 2005
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
The 23rd Edition of the Morelia International Film Festival Opened with Kleber Mendonça Filho's THE SECRET AGENT 10 · 10 · 25 "I Don't Like the Idea of Pure Cinema": Kleber Mendonça Filho Talks About THE SECRET AGENT at the 23rd FICM 10 · 10 · 25 The Third Film Development Lab for Filmmakers of Indigenous and African Descent in Mexico has Begun 10 · 09 · 25 The 2025 Indigenous Peoples Forum Announces its Activities for the 23rd FICM 10 · 08 · 25
The 23rd Edition of the Morelia International Film Festival Opened with Kleber Mendonça Filho's THE SECRET AGENT 10 · 10 · 25
"I Don't Like the Idea of Pure Cinema": Kleber Mendonça Filho Talks About THE SECRET AGENT at the 23rd FICM 10 · 10 · 25
The Third Film Development Lab for Filmmakers of Indigenous and African Descent in Mexico has Begun 10 · 09 · 25
