2015 | Color | 19:51 Cata is thirteen years old. She lives with her father but their relationship is distant and evasive. After a night out with a new friend, Cata finds the courage to approach her father and she does it by a small gesture. Country: México Direction: Irene Espitia; Manuela Script: Irene Espitia; Manuela Production: González; Paulina Photography: Aguilar; Damián Sound: Arau; Luis, Gerson, Navarro; Victor, Torres; Jorge Music: García; Sebastián Erebo Cast:Romo; Cynthia, Salas; Fernanda, Croci; Bruno, Barceló; Alex, Arreola; Enrique Art direction: Domínguez; David Participation year at FICM: 2015
2015 | Color | 19:51 Cata is thirteen years old. She lives with her father but their relationship is distant and evasive. After a night out with a new friend, Cata finds the courage to approach her father and she does it by a small gesture. Country: México Direction: Irene Espitia; Manuela Script: Irene Espitia; Manuela Production: González; Paulina Photography: Aguilar; Damián Sound: Arau; Luis, Gerson, Navarro; Victor, Torres; Jorge Music: García; Sebastián Erebo Cast:Romo; Cynthia, Salas; Fernanda, Croci; Bruno, Barceló; Alex, Arreola; Enrique Art direction: Domínguez; David Participation year at FICM: 2015
Sun Ligia (34) seeks refuge with her two kids, Meli (9) and Luciano (2), at her mother’s house at the plains. In the midst of nature, Meli watches her mother slowly downspiraling, unable to deal with her emotions. Meli seeks to change the situation. See More
Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25