2009 | Color | 13 min At the Ariel photo studio in downtown Mexico City, portrait photography has resisted change. Francisco continues to use technology from the 1940s. For color portraits he uses a technique that is both artistic and archaic. He takes a black- and-white photograph and colors it with oil paint. Country: México Direction: Azcuaga; Roque Script: Azcuaga; Roque Production: Audiffred; Víctor Photography: Carlos Lazo; Juan Sound: Saint-remy; Joseph Music: Saint Remy; Joseph Cast:Escamilla; Francisco, Escamilla; Beatriz Participation year at FICM: 2010
2009 | Color | 13 min At the Ariel photo studio in downtown Mexico City, portrait photography has resisted change. Francisco continues to use technology from the 1940s. For color portraits he uses a technique that is both artistic and archaic. He takes a black- and-white photograph and colors it with oil paint. Country: México Direction: Azcuaga; Roque Script: Azcuaga; Roque Production: Audiffred; Víctor Photography: Carlos Lazo; Juan Sound: Saint-remy; Joseph Music: Saint Remy; Joseph Cast:Escamilla; Francisco, Escamilla; Beatriz Participation year at FICM: 2010
Panoram Project Nico, a woman drives his car with difficulty, next to her brings the corpse of his sister. Nico hits the car and falls in a deep state of comma, wakes up 20 years later, just before the moment of the fault, and as a misled Minotauro crosses its own labyrinth See More
Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
