2009 | Color | 13 min At the Ariel photo studio in downtown Mexico City, portrait photography has resisted change. Francisco continues to use technology from the 1940s. For color portraits he uses a technique that is both artistic and archaic. He takes a black- and-white photograph and colors it with oil paint. Country: México Direction: Azcuaga; Roque Script: Azcuaga; Roque Production: Audiffred; Víctor Photography: Carlos Lazo; Juan Sound: Saint-remy; Joseph Music: Saint Remy; Joseph Cast:Escamilla; Francisco, Escamilla; Beatriz Participation year at FICM: 2010
2009 | Color | 13 min At the Ariel photo studio in downtown Mexico City, portrait photography has resisted change. Francisco continues to use technology from the 1940s. For color portraits he uses a technique that is both artistic and archaic. He takes a black- and-white photograph and colors it with oil paint. Country: México Direction: Azcuaga; Roque Script: Azcuaga; Roque Production: Audiffred; Víctor Photography: Carlos Lazo; Juan Sound: Saint-remy; Joseph Music: Saint Remy; Joseph Cast:Escamilla; Francisco, Escamilla; Beatriz Participation year at FICM: 2010
Panoram Project Nico, a woman drives his car with difficulty, next to her brings the corpse of his sister. Nico hits the car and falls in a deep state of comma, wakes up 20 years later, just before the moment of the fault, and as a misled Minotauro crosses its own labyrinth See More
Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26 LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
