2009 | Color | 13 min At the Ariel photo studio in downtown Mexico City, portrait photography has resisted change. Francisco continues to use technology from the 1940s. For color portraits he uses a technique that is both artistic and archaic. He takes a black- and-white photograph and colors it with oil paint. Country: México Direction: Azcuaga; Roque Script: Azcuaga; Roque Production: Audiffred; Víctor Photography: Carlos Lazo; Juan Sound: Saint-remy; Joseph Music: Saint Remy; Joseph Cast:Escamilla; Francisco, Escamilla; Beatriz Participation year at FICM: 2010
2009 | Color | 13 min At the Ariel photo studio in downtown Mexico City, portrait photography has resisted change. Francisco continues to use technology from the 1940s. For color portraits he uses a technique that is both artistic and archaic. He takes a black- and-white photograph and colors it with oil paint. Country: México Direction: Azcuaga; Roque Script: Azcuaga; Roque Production: Audiffred; Víctor Photography: Carlos Lazo; Juan Sound: Saint-remy; Joseph Music: Saint Remy; Joseph Cast:Escamilla; Francisco, Escamilla; Beatriz Participation year at FICM: 2010
Panoram Project Nico, a woman drives his car with difficulty, next to her brings the corpse of his sister. Nico hits the car and falls in a deep state of comma, wakes up 20 years later, just before the moment of the fault, and as a misled Minotauro crosses its own labyrinth See More
Pasolini's Legacy 03 · 10 · 26 “I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Frederick Wiseman and the poetics of patience 03 · 03 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26
