2017 | Color | 11:44 Hugo flees the violence in Guerrero, Mexico. As he watches whales swimming in the cold Baja California ocean, he narrates the murder of his 14-year-old brother, an experience that has plunged him into deep loneliness and grief. This 16-year-old is sure of one thing: he wants to cross the border into the US and meet his father. Direction: Morales Mancilla; Carlos Mario Script: Morales; Carlos Production: Vicke Negrete; Claudia Photography: Zúñiga; José Daniel Sound: Encoresound Participation year at FICM: 2017
2017 | Color | 11:44 Hugo flees the violence in Guerrero, Mexico. As he watches whales swimming in the cold Baja California ocean, he narrates the murder of his 14-year-old brother, an experience that has plunged him into deep loneliness and grief. This 16-year-old is sure of one thing: he wants to cross the border into the US and meet his father. Direction: Morales Mancilla; Carlos Mario Script: Morales; Carlos Production: Vicke Negrete; Claudia Photography: Zúñiga; José Daniel Sound: Encoresound Participation year at FICM: 2017
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
Nuria Ibáñez on EL GUARDIÁN and How Cinema Helps Us Think About What’s Foreign to Us at the 23rd FICM 10 · 13 · 25 “The Process is the Only Part of Cinema That's Ours”: Elisa Miller Presents BITÁCORA DE DIRECCIÓN DE TEMPORADA DE HURACANES 10 · 13 · 25 Activities for Impulso Morelia 11 Begin at the 23th FICM 10 · 13 · 25 64th Critics' Week: Ava Cahen Presented Shih-Ching Tsou's LEFT-HANDED GIRL at the 23rd FICM 10 · 13 · 25
Nuria Ibáñez on EL GUARDIÁN and How Cinema Helps Us Think About What’s Foreign to Us at the 23rd FICM 10 · 13 · 25
“The Process is the Only Part of Cinema That's Ours”: Elisa Miller Presents BITÁCORA DE DIRECCIÓN DE TEMPORADA DE HURACANES 10 · 13 · 25
64th Critics' Week: Ava Cahen Presented Shih-Ching Tsou's LEFT-HANDED GIRL at the 23rd FICM 10 · 13 · 25
