1921 | B/N | 89 min 0 seg Angela, a young Italian woman, maintains a coastal lighthouse in her hometown, where she nightly awaits the return of her younger brother from the war. She takes solace in the arms of an American soldier washed up on the shore near her home, but things go wrong when she realizes that he is actually a German spy and that she has unknowingly helped him attack her people. Country: Estados Unidos Direction: Marion; Frances Script: Marion; Frances Production: Pickford; Mary Photography: Rosher; Charles, Cronjager; Henry Cast:De Briac; Jean, Phillips; Eddie, Regas; George, Prisco; Albert, Thomson; Fred, Bloomer; Raymond, Pickfordevelyn Dumo; Mary Art direction: Goosson; Stephen Participation year at FICM: 2012
1921 | B/N | 89 min 0 seg Angela, a young Italian woman, maintains a coastal lighthouse in her hometown, where she nightly awaits the return of her younger brother from the war. She takes solace in the arms of an American soldier washed up on the shore near her home, but things go wrong when she realizes that he is actually a German spy and that she has unknowingly helped him attack her people. Country: Estados Unidos Direction: Marion; Frances Script: Marion; Frances Production: Pickford; Mary Photography: Rosher; Charles, Cronjager; Henry Cast:De Briac; Jean, Phillips; Eddie, Regas; George, Prisco; Albert, Thomson; Fred, Bloomer; Raymond, Pickfordevelyn Dumo; Mary Art direction: Goosson; Stephen Participation year at FICM: 2012
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
Farewell Laurent Cantet: two of his early films 05 · 02 · 24 El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24 Lorena Velázquez: reina del fantástico y más… 04 · 18 · 24 Marlon Brando and his connection with Mexico one hundred years after his death 04 · 04 · 24
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24