1958 | B/N | 112 min A stark, perverse story of murder, kidnapping and police corruption in a Mexican border town. Country: Estados Unidos Direction: Welles; Orson Script: Masterson; Whit, Coen; Franklin, Monash; Paul, Welles; Orson Production: Zugsmith; Albert, Schmidlin; Rick Photography: Metty; Russell Sound: I Carey; Leslie Music: Mancini; Henry Cast:Heston; Charlton, Leigh; Janet, Welles; Orson, Calleia; Joseph, Tamiroff; Akim, Dietrich; Marlene Participation year at FICM: 2011
1958 | B/N | 112 min A stark, perverse story of murder, kidnapping and police corruption in a Mexican border town. Country: Estados Unidos Direction: Welles; Orson Script: Masterson; Whit, Coen; Franklin, Monash; Paul, Welles; Orson Production: Zugsmith; Albert, Schmidlin; Rick Photography: Metty; Russell Sound: I Carey; Leslie Music: Mancini; Henry Cast:Heston; Charlton, Leigh; Janet, Welles; Orson, Calleia; Joseph, Tamiroff; Akim, Dietrich; Marlene Participation year at FICM: 2011
The Other Side of the Wind In 1970, legendary director Orson Welles began filming what would become his final cinematic opus with a cast of luminaries. The film tells the story of famed filmmaker J. J. “Jake” Hannaford, who returns to Hollywood after years in self-exile in Europe with plans to complete his own innovative comeback movie. This satire—Welles’ last film, completed in 2018—is a fascinating time capsule of a now-distant era in moviemaking. See More
Touch of Evil A stark, perverse story of murder, kidnapping, and police corruption in a Mexican border town. See More
Chimes at Midnight An adaptation of various Shakespeare plays: including both Henry IV versions as well as Richard II, Henry V and The Merry Wives of Windsor. Usually a comic supporting figure, Falstaff—the loyal and often intoxicated friend of King Henry IV’s wayward son Prince Hal—here becomes the focus. Set in the 13th century England, there is a struggle for the throne after King Henry IV’s death and Prince Hal is immersed in a world of parties, influenced by Falstaff. See More
“I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Filmmaking without fear: Robin Campillo and the legacy of Laurent Cantet at ENZO 02 · 20 · 26 Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
