2007 | Color | 98 min A Mexican boy smuggles himself to Brooklyn to meet his long-lost father ?only to have his identity stolen upon arrival by an impostor who seeks to steal the father?s fortune Country: Estados Unidos Direction: Zalla; Christopher Script: Zall; Christopher Production: Odell; Benjamin, Melit; Per Photography: Martinovi; Igor Sound: Borne; Steve Music: Cullman; Brian, Patscha; Glenn Cast:Méndez; Paola, Hernández; Armando, Espíndola; Jorge Adrián, Ochoa; Jesús, Derbez; Eugenio Participation year at FICM: 2007
2007 | Color | 98 min A Mexican boy smuggles himself to Brooklyn to meet his long-lost father ?only to have his identity stolen upon arrival by an impostor who seeks to steal the father?s fortune Country: Estados Unidos Direction: Zalla; Christopher Script: Zall; Christopher Production: Odell; Benjamin, Melit; Per Photography: Martinovi; Igor Sound: Borne; Steve Music: Cullman; Brian, Patscha; Glenn Cast:Méndez; Paola, Hernández; Armando, Espíndola; Jorge Adrián, Ochoa; Jesús, Derbez; Eugenio Participation year at FICM: 2007
Radical The students at José Urbina López Elementary School in Matamoros, Mexico, have been ranked the worst in the country. What will become of them? Their world is violent and challenging, and their classrooms are governed by suffocating rules that leave them no room for other possibilities. It’s the perfect place for their new teacher to do things differently. There’s just one problem: he has no idea what he’s doing. See More
Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25