2016 | B/N | 03:16 Where have all saints gone in the face of a turbulent political climate in which homogenization, through consumer society, presents a far worse form of fascism? Saint Paul's contemporary rehabilitation more than a sermon is a necessity. Direction: Guillén; Mauricio Script: Un texto de Pier Paolo Pasolini Production: destiempo Photography: Guillén; Mauricio Sound: Guillén; Mauricio Music: Hotteterre; Jacques Art direction: Guillén; Mauricio Participation year at FICM: 2016
2016 | B/N | 03:16 Where have all saints gone in the face of a turbulent political climate in which homogenization, through consumer society, presents a far worse form of fascism? Saint Paul's contemporary rehabilitation more than a sermon is a necessity. Direction: Guillén; Mauricio Script: Un texto de Pier Paolo Pasolini Production: destiempo Photography: Guillén; Mauricio Sound: Guillén; Mauricio Music: Hotteterre; Jacques Art direction: Guillén; Mauricio Participation year at FICM: 2016
Both Sides of the River Main Emotionally adrift, a man is briefly suspended between a love that is coming to an end and another that is just beginning. See More
Avenida Progreso Mr. Jocotot, a philosophy and ethics professor, has just collected final exams from his students and, unlike most other days, decides to take a taxi home. As he turns onto Avenida Progreso, a prominent street in Mexico City, he will come up against corruption and his ignorance will teach him a lesson. See More
Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25