2017 | Color | 80:00 The parallel stories of three characters in three of the most complex and emblematic cities of the world: Mexico City, Los Angeles, and Istanbul. They share the fact that they spend almost half of their lives commuting to work. All three feel that they are losing something essential, something that will never come back. As their conflicts evolve, they will continually wonder: is it possible to live a different life? Direction: Kaplan; Luciana Script: Kaplan; Luciana Production: Cohen; José, Sosa; Martha, Hagerman; Carlos Photography: Serra; Gabriel Sound: García; Ruy Music: Castaños; Alejandro Participation year at FICM: 2017
2017 | Color | 80:00 The parallel stories of three characters in three of the most complex and emblematic cities of the world: Mexico City, Los Angeles, and Istanbul. They share the fact that they spend almost half of their lives commuting to work. All three feel that they are losing something essential, something that will never come back. As their conflicts evolve, they will continually wonder: is it possible to live a different life? Direction: Kaplan; Luciana Script: Kaplan; Luciana Production: Cohen; José, Sosa; Martha, Hagerman; Carlos Photography: Serra; Gabriel Sound: García; Ruy Music: Castaños; Alejandro Participation year at FICM: 2017
Eufrosina’s Revolution The personal journey and social awakening of Eufrosina, a young indigenous woman from Oaxaca state, fighting against gender inequality as well as the seductive offering of political power. See More
"Hungarian Contemporary Cinema": A Conversation Presented by Barnabás Tóth at the 20th FICM 10 · 28 · 22 Luis Mandoki Unveils Commemorative Armchair During the Presentation of PRESENCIAS at the 20th FICM 10 · 28 · 22 The Press Conference for EL PODEROSO VICTORIA, by Raúl Ramón, at the 20th FICM 10 · 28 · 22 IMAGINE by Ali Behrad at the 20th edition of FICM 10 · 28 · 22
"Hungarian Contemporary Cinema": A Conversation Presented by Barnabás Tóth at the 20th FICM 10 · 28 · 22
Luis Mandoki Unveils Commemorative Armchair During the Presentation of PRESENCIAS at the 20th FICM 10 · 28 · 22
