2011 | Color | 76 min 0 seg The legend, the details and the lie behind the war over water waged in Bolivia. An exploration of the lost relationship between man and water, and the lost relationship of man with himself. Country: México, Bolivia Direction: Dirdamal; Tin Production: Martinez; Iliana, Torres; José, Haglund; Christina, Dirdamal; Tin Photography: Dirdamal; Tin, Torres; José Sound: García; Martín Music: Heiblum; Leonardo Participation year at FICM: 2011
2011 | Color | 76 min 0 seg The legend, the details and the lie behind the war over water waged in Bolivia. An exploration of the lost relationship between man and water, and the lost relationship of man with himself. Country: México, Bolivia Direction: Dirdamal; Tin Production: Martinez; Iliana, Torres; José, Haglund; Christina, Dirdamal; Tin Photography: Dirdamal; Tin, Torres; José Sound: García; Martín Music: Heiblum; Leonardo Participation year at FICM: 2011
Death in Arizona This is a futuristic documentary seen through the windows of a Bolivian apartment over a year. It is the autobiographical depiction of a man in search of answers returning to the empty home of his now departed love. This story finds itself through the distant voices of a Yaqui tribe in Arizona that has survived the impact of a meteorite. See More
No one No One María, an immigrant from Central America, has to abandon her family to find a better way of life. On her trip to the United States she passes through Mexico, where she will courageously face the serious difficulties illegal immigrants must go through See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26