2011 | Color | 76 min 0 seg The legend, the details and the lie behind the war over water waged in Bolivia. An exploration of the lost relationship between man and water, and the lost relationship of man with himself. Country: México, Bolivia Direction: Dirdamal; Tin Production: Martinez; Iliana, Torres; José, Haglund; Christina, Dirdamal; Tin Photography: Dirdamal; Tin, Torres; José Sound: García; Martín Music: Heiblum; Leonardo Participation year at FICM: 2011
2011 | Color | 76 min 0 seg The legend, the details and the lie behind the war over water waged in Bolivia. An exploration of the lost relationship between man and water, and the lost relationship of man with himself. Country: México, Bolivia Direction: Dirdamal; Tin Production: Martinez; Iliana, Torres; José, Haglund; Christina, Dirdamal; Tin Photography: Dirdamal; Tin, Torres; José Sound: García; Martín Music: Heiblum; Leonardo Participation year at FICM: 2011
Death in Arizona This is a futuristic documentary seen through the windows of a Bolivian apartment over a year. It is the autobiographical depiction of a man in search of answers returning to the empty home of his now departed love. This story finds itself through the distant voices of a Yaqui tribe in Arizona that has survived the impact of a meteorite. See More
No one No One María, an immigrant from Central America, has to abandon her family to find a better way of life. On her trip to the United States she passes through Mexico, where she will courageously face the serious difficulties illegal immigrants must go through See More
The 23rd FICM Awarded the Best of its Official Selection and Impulso Morelia 11 10 · 17 · 25 Eddie Muller Presents 99 RIVER STREET on the Closing Night of the 23rd FICM. 10 · 17 · 25 Academic Forum: Pioneering Mexican Female Screenwriters at the 23rd FICM 10 · 17 · 25 When You're An Actor, No One Can Stop You From Doing It: Stellan Skarsgård at the Presentation of Sentimental Value 10 · 17 · 25
When You're An Actor, No One Can Stop You From Doing It: Stellan Skarsgård at the Presentation of Sentimental Value 10 · 17 · 25
