Skip to main content
2018 | B/N | 150:45

In 1990s Mexico City—a chaotic universe of extremes, where criminals go unpunished and policemen are as lawless as criminals—a heroine becomes the avenger of raped young women. Wearing different disguises, she seduces the rapists, narcotizes them and then brands them with tattoos. Her powerful enemies prepare an ambush to uncover her true identity. Her only salvation is the emancipation of another woman. 


Direction: Hernández; Julián
Script: Huacuja del Toro; Malú
Production: Fiesco; Roberto
Photography: Cantú; Alejandro
Sound: Martinez Cobos; Mario, Hernández Moreno; Miguel, Narváez del Valle; Armando
Music: Villela; Arturo, Sánchez Borges; Ángel
Cast:del Carmen; Mónica, Peña; Irving, White; Victoria, Ramos; César, Verdejo; Rocío, Zacarías; Giovanna, Lein; Diana, Romero; Cesar, Cantoral; Itati
Art direction: Constantino; Francisco
Participation year at FICM: 2018

Director Movies

La huella de unos labios

La huella de unos labios

Román, a B-movie actor, is isolated in his apartment as a pandemic keeps the world on edge. Aldo, a young indigenous man, is an essential worker authorized to come and go. The two men live across from each other in an apartment complex. Meeting online, they are able to talk and even see each other in video calls, but not in person. Eventually, they find themselves tempted to break out of lockdown.

See More

Two Amongst Many

Dos entre muchos

A pandemic has separated Esteban and Alan. Esteban spends his days staring out at the nearby buildings from the rooftop where he lives, learning how to play the guitar, and staying connected to Alan through video calls—but there’s no end in sight to the isolation, and reality eventually catches up with them.

See More

The Day Began Yesterday

Orlando and Saúl meet by chance. Self-confident young Orlando is a college gymnast who refuses to let his HIV-positive status define him; insecure Saúl barely grasps what it means to have an active sex life. For both, their accidental encounter will result in a new way of seeing the world.

See More

Related News

Marlon Brando
Marlon Brando and his connection with Mexico one hundred years after his death
Quentin Tarantino
Tarantino in Morelia 2009
El joven Juárez
If Juárez had not died…
El halcón
EL HALCÓN, a tribute to wrestling films: Interview with Eduardo Valenzuela