2002 | Color | 5 min 54 seg A critique of the universal parameters of time and space. Country: México Direction: Solórzano; Luciana Script: Solórzano; Luciana Production: Solórzano; Luciana Photography: Solórzano; Luciana Sound: Cisneros Verduzco; Manuel Music: Díaz; Rocío, Almazan; Porfirio, Paulín; Juan, Husquet; Nicolás Cast:Miranda; Aner, Ayala; Julia, Aguilar; Maribel, Stamatio; Sofía, Mingramm; Gabriela, Charretón; Gerardo, Álvarez; Diana, Díaz; Rocío, Cisneros Verduzco; Manuel, González; Adrián Art direction: Solórzano; Luciana Participation year at FICM: 2003
2002 | Color | 5 min 54 seg A critique of the universal parameters of time and space. Country: México Direction: Solórzano; Luciana Script: Solórzano; Luciana Production: Solórzano; Luciana Photography: Solórzano; Luciana Sound: Cisneros Verduzco; Manuel Music: Díaz; Rocío, Almazan; Porfirio, Paulín; Juan, Husquet; Nicolás Cast:Miranda; Aner, Ayala; Julia, Aguilar; Maribel, Stamatio; Sofía, Mingramm; Gabriela, Charretón; Gerardo, Álvarez; Diana, Díaz; Rocío, Cisneros Verduzco; Manuel, González; Adrián Art direction: Solórzano; Luciana Participation year at FICM: 2003
Kamikaze A suicidal man looks for an escape from his reality under any pretext. With a post-modern attitude, he flees from his inner world, the only one that is left for him. See More
What the Polla Gives What the Polla Gives. A critique of the capitalist system in which we live. An apparently simple action becomes complicated enough to warrant assistance. See More
Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
