2012 | Color | 20 min In this video-essay, contemplative images, confessions, theoretical reflections and an enigmatic electronic musical motif merge to form a textured living portrait of the wall that separates Tijuana and San Diego. The artist and anthropologist reflects on her own experience in the region, taking images of a rusty wall, unruly topography, decaying surveillance structures, furtive moments of undocumented migrant crossings, and dystopian landscapes. Country: México, Estados Unidos Direction: Montezemolo; Fiamma Participation year at FICM: 2013
2012 | Color | 20 min In this video-essay, contemplative images, confessions, theoretical reflections and an enigmatic electronic musical motif merge to form a textured living portrait of the wall that separates Tijuana and San Diego. The artist and anthropologist reflects on her own experience in the region, taking images of a rusty wall, unruly topography, decaying surveillance structures, furtive moments of undocumented migrant crossings, and dystopian landscapes. Country: México, Estados Unidos Direction: Montezemolo; Fiamma Participation year at FICM: 2013
Echo Echo looks into the continuity and repercussions of nine public art projects displayed over two decades on the US-Mexico border as part of an event called inSite. See More
MUÑECOS INFERNALES: A Restored Classic at the 23rd FICM 10 · 16 · 25 LA VIRGEN DE LA TOSQUERA Enchanted Audiences at the 23rd FICM 10 · 15 · 25 “Where and Who We Are Changes as Life Shapes Us With Blows and God Dictates the Form”: Guillermo del Toro's Message Ahead of FRANKENSTEIN'S Premiere at the 23rd FICM 10 · 15 · 25 Technique May Change, But Not Ethics: Javier Espada Presents Memoria de Los Olvidados at the 23rd FICM 10 · 15 · 25
“Where and Who We Are Changes as Life Shapes Us With Blows and God Dictates the Form”: Guillermo del Toro's Message Ahead of FRANKENSTEIN'S Premiere at the 23rd FICM 10 · 15 · 25
Technique May Change, But Not Ethics: Javier Espada Presents Memoria de Los Olvidados at the 23rd FICM 10 · 15 · 25
