2014 | Color | 85 Daniel is a young orphan living on a small island in the Gulf of Nicoya, in Costa Rica. He decides to leave to look for his godfather and a better life. He gets to a hotel in the port of Puntarenas where his mother sometimes worked. While traveling, he discovers more and more about his past, secrets that reveal deep ties with the fate of the hotel—and the possibility of changing it. Country: Costa Rica Direction: Fallas; Gustavo Script: Fallas; Gustavo Production: Cordero; Felipe, Fallas; Gustavo Photography: Kate Montero; Fernando Sound: Fernández; Nano Music: Quesada; Bernardo Cast:Marenco; Álvaro, García; Bernal, Gómez; Leynar, Álvarez; Adriana, Pérez; Jason, Retes; Gabriel Art direction: Madrigal; Olga Participation year at FICM: 2014
2014 | Color | 85 Daniel is a young orphan living on a small island in the Gulf of Nicoya, in Costa Rica. He decides to leave to look for his godfather and a better life. He gets to a hotel in the port of Puntarenas where his mother sometimes worked. While traveling, he discovers more and more about his past, secrets that reveal deep ties with the fate of the hotel—and the possibility of changing it. Country: Costa Rica Direction: Fallas; Gustavo Script: Fallas; Gustavo Production: Cordero; Felipe, Fallas; Gustavo Photography: Kate Montero; Fernando Sound: Fernández; Nano Music: Quesada; Bernardo Cast:Marenco; Álvaro, García; Bernal, Gómez; Leynar, Álvarez; Adriana, Pérez; Jason, Retes; Gabriel Art direction: Madrigal; Olga Participation year at FICM: 2014
“I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Filmmaking without fear: Robin Campillo and the legacy of Laurent Cantet at ENZO 02 · 20 · 26 Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
